And my hurdy gurdy is fixed! Huge thanks to Brooks Hood for letting me use his workshop space — top guy, highly recommended for guitar repair work if you’re in Reykjavík.
And my hurdy gurdy is fixed! Huge thanks to Brooks Hood for letting me use his workshop space — top guy, highly recommended for guitar repair work if you’re in Reykjavík.
New tune, recorded as a test of my #gurdy’s pickup: OWLS WITH TENTACLES
Last night’s @hakkavelin #gurdy mutilation repair work worked perfectly! I now have a rather nice sounding electro-acoustic hurdy gurdy.
Next steps: wire up the internal microphone, put a plate over the hole in the back, fit the raspberry pi and power supply.
Project for Chateau d’Ars (and maybe Halsway) in 2014: fit gurdy with wheel speed measuring device, record traces of different peoples’ trompette styles.
The larger the gap between one major feedback loop and the next largest of any given stage of an activity, the more assumptions must be made about that stage.
Example: planing a hurdy gurdy top to thickness.
Tasks, feedback loops in order of duration (timings are approximate from memory):
The gaps between feedback loops become larger as the durations become larger, as do the assumptions which are made about the task at each level until the next feedback loop arrives. I suspect that experience level also affects both the value gained from each feedback loop, increasing the actor’s knowledge of the system and increasing the amount of time which can safely be left (i.e. the amount of assumption which is safe) before more feedback is required.
Two observations: the existence of vastly longer feedback loops of experience accumulating which affect the shape of existing loops, and that the smallest feedback loops are broadcast by the environment (audible feedback, physical resistance) but longer ones require active participation (testing the system).
Popped into the Reykjavík craft fair, learnt a useful trick from ingasoldesign.com — coconut oil (same as the stuff you’d use for cooking) can be used as an easy-maintenance, odourless wood finish.
The product of this evening’s personal digital archaeology: documentation of Dulcimer 4 construction process returned to the web, as well as a permanent redirect from it’s original URL.
Walked along a nice bit of beach-ish area near my flat. Realised that whilst I’m fairly experienced at creating UIs where the creation of sound is the end result (musical instruments), I’ve never really given much thought to the use of sound in other UIs.
The house lights across the bay twinkle a lot — perhaps because of the heat. It’s cold outside here, but inside all the buildings is really toasty, thanks to ubiquitous geothermal power.
sophiedennis wow, that thing’s seen some serious repair work, judging by all those cleats! Related but not nearly as shiny:
I love the way a gap of 1/10mm or a tiny notch is all it takes to turn a large wooden assembly from useless lump to playable instrument #lutherie
@john_nye @andycayenne always a permanent marker/thick felt tip for me. Scan, build digitally, print out, scribble, scan, repeat :) Same as how I #design instruments.
sophiedennis your project sounds a bit like my gurdies! I’ve been nearly there for days. Got the Keyboxes glued on today, so almost finished now.
@andycayenne @samsweeny123 right at this very moment :) Just drilled and glued all the keys for the two maple 7 string sopranos I’m working on at the mo. If you're interested, drop me an email: barnaby@waterpigs.co.uk
Got a lot of #gurdy turning done today. Result: two knobs, four strap buttons and two collars ready for touching up and use.
I spent most of this afternoon learning all the different ways in which bits of ebony can break. Thankfully, the great people at the Totnes school of Guitarmaking had enough maple strips in stock for me to use those.
The second #gurdy back is on after rather a stressful gluing session inside a small, dark shed with candles for light. Now I know a little more about what it must have been like to be a luthier in the Middle Ages.