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  3. Augmented Hurdy Gurdy Experiments

    https://www.youtube.com/watch?v=hPGKeMdRU5I

    As I can’t currently commit to building a new series of gurdies due to my living situation, I’ve been keeping myself busy developing the MIDI system for my instruments, to develop new extended, augmented playing techniques.

    This video is the first demonstration of some hybrid electronic-acoustic experiments using the prototype MIDI system installed on my hurdy gurdy.

    0:22 Technique: Pitch-shifting Polyphony

    Gurdy MIDI and Audio → Apogee ONE → Macbook running a puredata patch

    Monophonic acoustic gurdy signal is pitch-shifted down in real time to play chords and harmonies. Chords and intervals on the keyboard can also be used to pitch-shift the trompette signal (0:55) or the drones. Inspired by an idea from Sébastien Tron.

    1:18 Technique: Expressive MIDI Controller

    Hurdy Gurdy MIDI → DIY Hybrid Poly Synth based off Mutable Instruments Ambika

    The keyboard and wheel sensors send MIDI note, expression and polyphonic aftertouch messages to a polyphonic synthesizer. In this case a split keyboard effect is used to play two sounds.

    1:36 Technique: Layered Acoustic and Electronic Sound

    Hurdy Gurdy Acoustic audio, Gurdy MIDI → DIY Hybrid Poly Synth based off Mutable Instruments Ambika

    1:36 The acoustic string plays a melody, the bottom half of the keyboard controls a synthesizer with a long release for subtle held chords

    2:08 Using trompette technique can send MIDI messages, used here to play synthesized percussion on an Ambika voice assigned to MIDI channel 10, whilst the keyboard plays chords.

    2:30 Acoustic trompette and melody string sound layered over subtle polyphonic synthesized chords

    Playing, Instrument and Software: Barnaby Walters https://gurdy.is https://waterpigs.co.uk
    Polyphonic Pitch-shifting idea: Sébastien Tron
    Filming, editing: Adriana Borger

  4. Doing some prototyping+testing for the next MIDI-enabled gurdy board:

    My current approach is an Arduino (Genuino) Uno with a custom made board with a line of hall effect sensors, and the various other boards plugged into the Arduino. It works, but there are various problems — wiring the whole thing together is a hassle; the limited I/O on the Uno requires me to multiplex the sensors, introducing delays; hand-soldering through-hole sensors means they’re all in slightly different positions; and a single line of sensors isn’t enough to cover the whole throw of a key, resulting in notes turning off when they’re bent too far.

    I heard about emsproto.com and was initially considering designing a board containing the sensors and microcontroller myself, and having it built, but after drafting up a very simple one-component test board and seeing that there’s a base cost of €200 per board for PCB and assembly, I decided on another approach.

    The next version of the board will be a custom designed sensor and breakout board with two rows of surface-mounted hall effect sensors, into which I can plug a Teensy 3.5, removing the need for multiplexing, vastly increasing the speed at which the system can run, and opening up various possibilities like easy-to-implement USB-MIDI support.